Process 2006 Mixed media on paper 30 x 22.5 in
Initially, Baiju Parthan resisted a career as an artist. "In Kerala," he explains, "you are what your work is. And in Kerala's Communist schema, the artist is at the lowest rung of society." Parthan began as an engineer, but was drawn into the world of art in 1974, when he stumbled onto a book detailing the history of Western art. "With that book," he says, "the chronology and the institution of art became known to me." He became familiar with the movements of Impressionism, Expressionism, and so forth, and this new knowledge nourished his interest in painting.
Parthan began to study the Indian mystical arts, exploring tantra, ritual arts, and Indian mythology. Simultaneously, Western art continued to exert an influence. Parthan names Larry Rivers, Miro, and the Cubist painters as important models.
In the early 1980s, Parthan decided to quit painting. "I felt like a missionary for Western art," he explains. Instead, he enrolled in a course on comparative mythology at Bombay University, and began working as a writer and illustrator. He returned to painting in the early 1990s, when he began to explore the imagery of mandalas and Tibetan tangas. These traditional subjects were balanced by his reading in post-modern theorists. The latter enabled him to "recontextualize things from my immediate environment. The post-modern theorists have accepted the localization of reality. We're now reconciled to the idea of an individual reality. Art is about local realities. Personally, I live in a post-colonial concept of space. The world exists as a flux."
In 1995, Parthan began to study computers, learning hardware engineering, building his own machine, and creating programs. "I didn't want to be afraid of technology," says Parthan. "The machine has become the Other for humans, and it raises philosophical issues that we have to grapple with." Parthan is especially interested in the influence of technology on religious beliefs, the implications of genetic engineering, and the possibilities of post-humanism (i.e. the development of symbiotic relations between men and machines). He was awarded the Goa Lalit Kala Academy artist of the year in 1981 and the merit prize from the same institution in 1978, 1979, 1980 and 1981. Baiju Parthan lives and works in Mumbai, India.
Based on: Catalogue by Ranjit Hoskote Interview by Sylee Gore courtesy of saffronart.com, artist.christies.com